Today, we’re run through how to get your Polyend Synth to sync with external hardware like the Digitakt to unlock powerful pattern sequencing options. Polyend Synth is an incredible tool for playing multiple synths simultaneously, but if you're like me, you might find that its lack of a dedicated song mode or pattern sequencer can limit certain workflows, especially when you're used to more detailed control like track mutes and program changes.
So, let's break down how to MIDI sync your Polyend Synth with external gear—whether it's your DAW or a piece of hardware like the Digitakt—and get the best of both worlds. I'll guide you through the steps below, or you can follow along with me in this video:
Step 1: Gather Your Cables and Equipment
Before we get started, let’s talk about the cables you’ll need. You’ll want a classic MIDI cable and a MIDI to trs (1/8") adapter, but there’s a catch with the Polyend Synth: it uses MIDI Type B cables instead of the more common Type A. Type B cables might look similar to Type A, but you’ll want to make sure you’re using the right one to avoid any frustration. Trust me, I’ve spent way too much time troubleshooting because of this
You can get these cables if you want to make sure they'll work:
MIDI to TRS type B: https://amzn.to/3Wq1V42
MIDI Cable: https://amzn.to/47NsIKM
Once you've got the right cable, here's the setup:
MIDI Out from your Digitakt (or another sequencer) goes to the MIDI In on the Polyend Synth.
If you're using USB MIDI, connect a usb C cable into Synth and either C or A to your Computer. You’ll also need to ensure you're using the correct settings, which I'll cover in just a moment.
Step 2: Set Up Your Polyend Synth
Now that you’re physically connected, it’s time to configure the Polyend Synth.
Power on the Polyend Synth and press the Value knob to access the main menu.
Go to the MIDI settings.
Ensure that Clock In and Transport In are both set to MIDI In Jack. By default, these are set to internal, but since we’re using external hardware, we need to switch them to MIDI In Jack (or MIDI In USB if you’re using the USB).
Additionally, if you want to send MIDI from the Polyend Synth to other devices, enable Clock Out. This will let you sync the clock from the Polyend to any external gear that supports MIDI sync.
Step 3: Configure Your External Sequencer (Digitakt Example)
Now let’s move to the external device you're using to send MIDI, like the Digitakt.
Hit Settings on your Digitakt and navigate to MIDI Config.
Make sure Clock Receive, Clock Send, Transport Receive, and Transport Send are turned on. You can also enable Program Change Receive and Send if you're interested in more advanced CC control, but for now, let’s focus on the clock and transport settings.
On the each of Synth's track channels, select the MIDI channel you want to use for syncing with the Digitakt. Synth 1 defaults to MIDI Jack Channel 1 and so on. make sure to select MIDI USB Channel 1 if you're using USB MIDI sync.
Step 4: Sync Everything
Once your Polyend Synth and external device are properly set up, it’s time to test the connection. Here’s how you’ll do it:
On the Polyend Synth, ensure you’ve set the MIDI Channel correctly (Example: Synth 1 set to MIDI Jack Channel 1)
On the Digitakt or other sequencer, make sure you’re set to the corresponding channel. For example, if the Polyend is set to Channel 1, make sure your external device is also set to that.
Now, hit Play on your Digitakt or sequencer, and the Polyend Synth should start responding to the external clock and transport signals.
Step 5: Start Jamming!
Now that your devices are synced, you can start programming patterns and sequencing on the Polyend Synth while controlling it from your external hardware. This workflow really unlocks the potential of the Polyend Synth, allowing you to:
Sequence patterns externally for more complex arrangements.
Use mutes and other performance controls from the external sequencer.
Record live jams with greater control over track changes.
I’ve found that this method greatly improves my ability to create more intricate tracks with the Polyend Synth. For example, I’ll send a chord progression or bassline from the Digitakt to the Polyend, and then jam live on top of it, adding variation and dynamics. This level of control is perfect for taking your performances to the next level!
Advanced Tips (Optional)
If you're looking for deeper MIDI control, you can explore programmable CC changes (continuous controller messages). This allows you to automate parameters like filter sweeps or effects on the Polyend Synth. If you'd like a tutorial on this, let me know in the comments, and I can dive deeper into it in a future post!
If you're looking to learn how to make the most of your gear, email me for online lessons: info@sunwarper.com
Sample Packs: https://soundsbysunwarper.bandcamp.com/
My Music: https://www.sunwarper.com/listen
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